Lisa Zahiya Workshops

OMG Lisa Zahiya is amazing. She's beautiful, passionate, and incredibly skilled. I learned so much, my brain hurts. Here's hoping I can remember it all for future use.

Belly Funk

Lisa described this as her personal bellydance style. It's a fusion of popping, locking, old school hip hop, bhangra, and whatever else catches her fancy. We worked on how to pop and lock our bellydance moves, decomposing fluid motion into stutter-stop points. Her decomposition of basic 3- and 4-point motions into 6 stop points simply blew my mind. She also taught and drilled us on waving through our arms, and a little bit on tutting as well.

Drum Solo

We drilled shimmies so much. Lisa went around the room banging on people's knees to see whether we had good strength and balance in both legs. There was also a really fun combination, which had a lot of interesting Lisa-touches like the Michael Jackson hop-skip.

Bollywood

This session focused a lot on precise hand movements. We went through several mudra, including the flag, the lotus, and the thing that always reminds me of a peacock. Then she taught us two short combinations, which were surprisingly difficult for all their apparent simplicity.

Hip Hop Fusion

By the time we got to this workshop, my feet were killing me. We did two short combinations, to different pieces of music, and she asked us how they felt. It really underscored the different attitudes that hip hop can carry, everything from happy-bouncy to grungy-angry. At the end, we put the two combos together and did the whole thing through a couple of times.

Stage Space

The first choreo I did, I was dancing in my living room. At the time, I thought it was a terribly cramped tiny space, because I was unable to take real steps in any direction. After doing this choreo in the ludicrously small cranny of the mudroom, I realized just how much of a luxury being able to take steps, however stunted, really was.

I drilled my new choreo in a large space for the first time tonight, and I had so many problems with stage space usage. I stuck mostly to the middle, was unable to spread out to give the left and right any love, and had a terrible time not crowding the front of the room. It's better now, and I'm glad I had the time and opportunity to fix it before performing it. Tripping over the audience would have been awful.

I also made a few last minute tweaks to the movements. Hopefully I can remember them, and they won't backfire on me or look weird or anything like that. We shall see!

A fit of pique

I performed my very first self-choreographed solo almost a year ago, and still haven't received the video for it yet. In a fit of pique, I wondered if I could create, and perform, a second choreography before I receive the first one. I vaguely felt that maybe it would compel the videographer to "get a move on" and motivate him to get me that video.

While I don't seem to be having a whole lot of luck with the video for my first solo -- he's found the raw vids, and is now working on them, but it's still not done yet -- I did manage to finish a second choreography. Admittedly I've only done two now, but at 2 weeks and change, this is the fastest I've ever finished a choreography. Now I just have to drill, drill, drill until I get all my transitions down pat.

The show is coming up in just 10 days, and I'm all a-jitter with nerves and anticipation. It's a little out of my range of expertise, but I'm hoping I can pull it off and make it work. Tell your friends, and come see me dance!